Neue Galerie - Too Small for the Price

You can take a picture of the
outside of the building, of course

Visiting museums in New York is a pricey proposition. Every time you walk in the door of one, it seems you’re shelling out another twenty bucks. Generally, I think you’re getting some value for this. I don’t begrudge the Frick Museum its admittance fees, it’s a stunning collection.

But yesterday, I visited the Neue Galerie, which I wasn’t even aware of the previous time I visited New York (it opened in 2001, but gained a lot of attention when Ronald S. Lauder bought the Klimt pairing, Portrait of Adele Bloch-Bauer). One nice thing about the Neue Galerie was that when I saw this and four other Klimts at the LA County Museum of Art, the crowds were so large that it was impossible to appreciate the paintings. This was shortly after the paintings were returned to their proper owner, Maria Altmann. (The Austrian government had forced Altmann’s uncle, Ferdinand Bloch-Bauer, to deposit the paintings in the Austrian national museum during the Nazi era, but they did not manage to get him to actually donate the paintings.)

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